D i a l o g u e
  • Scene: a continuous action in a single locale

  • Scenes are the basis for storytelling. Every scene must advance the plot in some way. They will raise expectations and pose questions or delay answers. The answers to these questions will be delivered through dialogue and descriptions…but remember, a scene can also be silent (yet packed with emotion) By using concrete nouns, you will be able to create just enough scene.

  • Dialogue is significant but cannot do all of the work. It should sound real, but heightened. It is difficult to recreate “real speech” because it slows the pace down.

  • Words like “um,” “like,” and “you know,” are choices you must make for your characters. Not all characters should speak like this.

  • Simultaneous Dialogue: a character interrupting another character. It must sound real. Scene must help it (a description such as “the words were flying furiously” might help)

  • Dialogue Tags: such as, “he said,” or “she replied.” These are specific choices and you should use them sparingly.

  • Consider what you choose your characters to talk about. What must be shown in dialogue and what can be glossed over in a description? What do the conversations reveal? (Remember: nothing is random!)

  • Diction creates different voices for your characters. There should be distinct differences between characters voices. Personality should be reflected through dialogue.

  • Remember the differences between direct speech (“How was your day?”) and indirect speech (I asked him how his day was).

  • Dialogue should bring us closer to the character or allow us to understand the character more

  • Remember Round vs. Flat characters? Dialogue should help make round characters more real

WRITING EXERCISES

1. Write a scene with two men and one woman eating in a restaurant. Man #1 loves the woman who loves man #2 who only loves himself. Do not use any dialogue in your scene.

2. Rewrite the scene above and add dialogue. Notice how the scene will change with dialogue in it.