Since I study trumpet with a
Baroque trumpet specialist, I've gained quite an affection for the
instrument and the Baroque style.
The trumpet that we know
today has come a long way. Trumpets did not always have valves as they
do today. In fact valved trumpets did not come around until the
early/middle part of the 19th century. Until then trumpets were long,
wound up pieces of brass, similar to a modern bugle. These trumpets
played in two registers. The lower sounding register, known as the
"Principale" consisted mainly of the natural harmonic series. This
means that it could not play a full scale. The upper sounding register
is known as the "Clarino", and is very difficult to play in, however
one can achieve full scales and chromatic pitches.
The Baroque trumpet
flourished during a period known as the "High Baroque" era, which was
during the late 1600's and early 1700's. Composers such as Handel and
Bach wrote music for the Baroque, or "natural", trumpet. Handel's
"Messiah" features a solo for Baroque trumpet in the song "The Trumpet
Shall Sound". One of the most famous pieces, and most difficult, of the
trumpet repertoire is "Brandenburg Concerto No. 2" by J.S. Bach. Both
of these pieces require great skill on the instrument.
Over time specialty clarino
playing became a rarity, with very few players being able to achieve
clarity and sound in the upper register. This slow decline in clarino
trumpet players led to the demise of the Baroque trumpet. By the time
of Mozart and Beethoven the Baroque trumpet had been reduced to a
fanfare, or "herald", instrument. The main use of trumpets was for
fanfares and for accenting the main chords in a musical piece.
The Baroque trumpet has
enjoyed a nice revival, with several people around the world
specializing in the performance of Baroque trumpet playing.